DESIGN AND FURNITURE TRADE SHOW

Trade fairs are the oldest and most traditional platform for trade exchanges. And furniture could transform design & furniture trade shows into into design and lifestyle exhibitions. Today, more than ever, furniture trade fairs are increasingly platforms for cultural as well as commercial exchange. Visitors, in fact, are not only retailers, wholesalers or contractors, but also architects and interior designers who, in addition to products, seek information on trends in products and materials. Many trade shows, alongside the commercial display, organize exhibitions with notable curators, so the trade fairs become centers of cultural exchange. Last but not least, furniture and design trade fairs are preferred destinations for journalists and bloggers, so exhibiting at fairs becomes a helpful communication tool, adding value to the commercial objective.

CBD Guangzhou has spent years building up its trade fair credentials at the Canton Fair Complex. This year, the numbers backed up a bigger claim: the China furniture fair is turning into something closer to a year-round hub for the global building decoration and design industry.

Official post-event figures put the rise in foreign visitors at 33.4%. But the growth wasn’t only about foot traffic. CBD Guangzhou 2026 packed in more than 70 conferences, forums, exhibitions and curated initiatives, and it’s that density of content that marks the real shift in the Chinese design market. This isn’t just a bigger fair. It’s a fair that wants to be a place where producers, architects, designers, buyers and institutions actually talk to each other, not just do business in passing.

Discover CIFF Guanzghou 

cbd guangzhou 2026

World Connect Lounge and World Connect Forum: A New International Hub

The clearest sign of this shift was the debut of the World Connect Lounge and the World Connect Forum, hosted by CBD Guangzhou and developed by Edimotion. Set up as a space for knowledge-sharing, networking and trade, the Lounge pulled in architects, designers, buyers, media and market experts from all over the world.

World Connect Lounge CBD Guangzhou

One detail from the exhibition floor stuck with me. Part of the Lounge was furnished with armchairs from the Chinese manufacturer Victory, designed by Italian designer Claudio Bellini — a clear example of Italian design in China done from the inside. It’s a small thing, but it says a lot: this wasn’t Italian design shown at a distance, as an import or a reference point. It was Italian design working from inside Chinese production. That’s exactly the dynamic the closing roundtable of the forum ended up talking about.

The forum itself ran across two days, July 8 and 9, and was coordinated by Francesco Scullica of Politecnico di Milano.

Discover CIFF Guangzhou 2026

Architecture, Interiors and Materials

Wednesday’s session opened with Scullica’s introduction, then moved through five presentations, each taking a different angle on interior architecture.

Mauricio Cardenas Laverde, founder of Studio Cardenas Conscious Design and a professor at Shenzhen University, laid out several approaches to interior architecture. Sebastiano Cattiodoro, managing director for the APAC region at Vudafieri Saverino Partners, spoke about interior design and bespoke architecture, drawing on the firm’s experience running offices in both Milan and Shanghai. Danilo Trevisan, CEO of Aleatek Studio in Shenzhen, dug into technological research in interior architecture, and Xavier Travert, CEO of AIRI Lab, took the AI angle, talking about artificial intelligence in contemporary interior architecture.

Qi Yi, professor and associate dean of the School of Architecture and Urban Planning at Shenzhen University, gave one of the standout talks of the day: “Looking East: A Personal Perspective on the Evolving Chinese Design Market, Its Challenges, and the Interstitial Space.” Mario Alessiani, designer and editor of DesignWanted, closed out the individual talks with a look at international trends in smart homes.

A theme that kept coming back across the presentations: materials, especially bamboo and aluminum.

cbd guangzhou 2026

The session wrapped up with a roundtable, “Connecting Spaces: Scenarios, Challenges, and Opportunities in Global Design,” bringing together Jolie Zhang, deputy general manager of the Import/Export division at Luli Group, and Leepy Li, director of exports for Asia at Soundbox.

CBD guanzghou 2026

Zhang has 17 years in international trade behind her, managing global exports of wood, steel and furniture products to more than 40 countries, with deep experience in certifications, cross-border logistics and risk management. Li represents Soundbox, a company founded in 2008 that works on acoustic technology for architecture and industry, from noise reduction to environmental acoustic control, with the goal of making acoustic comfort a basic part of good spaces.

Different backgrounds, but Zhang and Li landed on the same point: Chinese manufacturers want to be treated as partners, not just suppliers. Their products, they argued, are more advanced and better certified than they used to be, and Chinese companies are ready to work with European firms on equal footing, rather than simply carrying out specs handed down to them. It’s a point worth sitting with, since it runs against how a lot of Western buyers still frame China furniture export relationships.

Global Furniture Industry Trends, Exports and the Middle East

Thursday opened with Matteo Grigolini, a partner and senior researcher at CSIL, giving a global overview of the furniture industry.

The numbers he put up are worth pulling out on their own, and they say a lot about where the global furniture industry stands in 2026. Global furniture production sits at roughly $470 billion, and the forecast holds fairly steady through 2025. China alone accounts for 35% of global production, more than the next few countries put together. Global furniture trade hit $172 billion in 2025, up 36% from 2015, with 37% of all production now moving across borders. Grigolini also walked through the megatrends pushing demand: urbanization, aging populations, a growing number of ultra-high-net-worth individuals, environmental pressure and digitalization. He closed by mapping out design trends in contemporary furniture, from a return to tactile, honest materials to a growing overlap between the design languages of kitchen, living room and outdoor spaces.

The second half of the session shifted focus to the Middle East, run in partnership with Construction Week and opened by Pranati Yekula, a columnist for Construction Week Middle East.

Alan George, architect and partner at the Dubai-based firm MKD Design, presented “More Than a Surface: Surface Design Trends for Modern Living,” showing residential and hospitality projects built around stone, wood and other tactile materials.

Sahil Sajan, director of Milano by Danube in Dubai, followed with “Beyond Basics: The Evolution of Middle East Sanitaryware & Ceramics.” He pointed to a Middle East sanitaryware market expected to pass $4.7 billion by 2026, growing at a compound annual rate of 5.5%, driven by construction, renovation and tourism, with the UAE and Saudi Arabia leading demand.

The session closed with a roundtable, “Seamless Living: Integrating Smart Technology into Sanitaryware and Surface Design,” bringing together George, Sajan, Kevin Su (CEO of Flova) and Joe Zhu (deputy general manager of Hongqiu Ceramics), moderated by Yekula.

Beyond the Forum

The World Connect Lounge was the headline story, but it sat alongside a full program of other initiatives that filled out the fair’s ambition to be more than a sourcing platform.

Archi Box, now in its third edition, combined a curated exhibition with a materials library and dedicated forums, creating a direct link between designers, producers and suppliers around new materials and more efficient sourcing.

Doors and windows at CBD Guangzhou 2026

All In IP looked at new business models for design brands, mixing immersive installations, branded experiences and reusable IP content to show how fairs can become platforms for ongoing brand-building rather than one-off showcases.

Nuan Lili · Smart Age-Friendly Living Space stood out as one of the more forward-looking projects: China’s first immersive exhibition dedicated to age-friendly design, going beyond a purely medical approach to show how architecture, interior design and smart technology can support independence, comfort and wellbeing for an aging population.

CBD Guangzhou 2026

THE PLACE, now in its second edition, took a broader look at contemporary living, bringing together designers, brands, urban planners and community organizations to examine how residential spaces, commercial environments and whole neighborhoods are evolving toward something more sustainable and inclusive.

Looking Ahead to CBD Guangzhou 2027

Taken together, these initiatives point to a fair that’s deliberately moving past its trade-show roots, positioning itself instead as a platform for knowledge, innovation and long-term international business. The next edition, the 29th, is set for July 8-11, 2027, at the Canton Fair Complex in Guangzhou.

Canton Fair Complex Guangzhou 2026

In Conversation with Sebastiano Cattiodoro, Vudafieri-Saverino Partners

The Italian Lounge is coming back to CIFF Shanghai for its fourth edition, and it’s shaping up as a business and experience platform built to promote Italian design and lifestyle in the Chinese market. From 5 to 8 September 2026, inside Asia’s leading furniture and interior design fair, the project will set out a prime space where design culture, hospitality, networking and business come together to open up new opportunities for Italian companies.

Edimotion put the project together and runs it, backed by CIFF Shanghai and a strategic partnership with GWA. The Italian Lounge keeps moving forward, growing from a straightforward exhibition project into a platform that’s becoming more and more structured. It’s an ecosystem that brings companies, professionals, institutions and strategic partners together, so Italian businesses can get more out of the Chinese market through visibility, well-matched contacts, content and dedicated services.

We sat down with Sebastiano Cattiodoro, Managing Director for the APAC region at Vudafieri-Saverino Partners, who has taken on the role of the lounge’s art director since it first kicked off.

Discover The Italian Lounge 

The Italian Lounge CIFF Shanghai

On the right, from right to left, Sebastiano Cattiodoro and Tiziano Vudafieri

Vudafieri-Saverino Partners on Designing “Architects of Relationships”

What was the starting concept, and how does it come through in the physical space of the lounge?

“Our approach always starts with people: rather than just designing environments, we try to shape the relationships those spaces will make possible. For us, architecture is a tool for bringing about encounters, dialogue and sharing, giving shape to places that are balanced, welcoming and able to generate value. That’s why we like to call ourselves “architects of relationships” before we call ourselves architects of buildings or interiors.”

It’s a phrase you hear often in Italian design circles, and it could easily read as just another soundbite. What gives it more weight here is the track record behind it: Vudafieri-Saverino Partners has been building spaces in China since 2012, long enough to know that a lounge that photographs well and a lounge that actually gets people talking to each other are two different design problems.

china furniture

The Italian Lounge

What criteria guide the choice of materials, furniture and brands for this project?

“The selection grows out of an overall vision, where each element helps tell a coherent story. On one hand, we went for materials and furniture that feel authentic and timeless. On the other, we wanted to highlight companies that stand for the best of Italian design and that have built up a solid presence in the Chinese market. We believe it’s key to bring out not just the quality of the product, but also its ability to speak to this context, helping spread Italian design culture through a real, ongoing presence.”

Are there differences between the Shanghai and Guangzhou versions? Did the two fairs’ contexts call for adjustments?

“Every project has to speak to the context that hosts it. The concept stays the same, but the way it’s read changes. Shanghai is an international platform where design, business and culture are closely woven together. Guangzhou, on the other hand, zeroes in more on materials, technology and production innovation. So we adjusted certain parts of the layout and the storytelling, while keeping the overall identity of the project intact.”

The Italian Lounge CIFF Shanghai

Italian Design in China: Beyond the “Classic Beauty” Stereotype

How do you represent Italian design in China today without falling into the “classic beauty” stereotype or decorative quotation?

“I think the value of Italian design doesn’t lie in a fixed style, but in a way of approaching a project. When we work in China, we don’t try to copy the local language or reach for decorative motifs that are far from our own history — that would come across as inauthentic. What we bring is a specific sensibility, shaped by Italy’s culture of design, which puts the quality of space, human wellbeing, attention to detail and durability at the centre. There’s growing interest in China for these things, and it’s exactly where our vision meets local reality that the most interesting synergies come up.”

What Cattiodoro describes lines up with something we’ve picked up over years of following the Italian design circuit in China: the brands that actually gain ground here aren’t the ones leaning on a recognisable “Italian look”, but the ones that bring a working method — how a project gets thought through, tested and put together — and let that method meet local ways of building and living. That shift, from selling a style to sharing a process, is what separates a one-off fair stand from the sort of long-term presence GWA and Vudafieri-Saverino themselves are pointing to.

The Italian Lounge CIFF Shanghai

Your studio has worked in Asia for years: has anything shifted, over time, in how Chinese audiences and clients see Italian design?

“Absolutely. Over the years, the Chinese market has built up a far more mature design culture. Today, clients aren’t just after an “Italian” look – they want a strategy that can build identity, value and experience. This makes the conversation even more engaging, because design is now recognised as a strategic lever, not just a formal choice.”

Does the Chinese audience have specific, different expectations around comfort, conviviality and the use of space? How did you pick up on them?

“Every culture lives space in its own way. In China, we see strong attention to the quality of the experience, to flexible environments, and to the ability to switch between convivial moments and more private areas that can offer discretion for business meetings. Having worked here for a long time, we’ve learned to read these needs and weave them into our creative process, without ever giving up our own distinctive language.”

How much room for improvisation does a trade-fair project call for, compared to a permanent commission?

“I’d call it adaptability rather than improvisation. Since it’s a temporary space, a trade-fair project allows more freedom to experiment with the concept. At the same time, it comes with far tighter constraints on materials, construction systems and logistics, due to short timelines and safety regulations. The main challenge is to balance creativity with technical feasibility, while keeping the strength of the original idea intact.”

Why a Trade-Fair Lounge Can Become a Business Platform

The lounge area is a space for relationships as much as for representation: what role can it play in building business ties between Italian companies and the Chinese market?

“A carefully designed space conveys values, builds trust and puts people in the best position to meet and talk. So the lounge area isn’t meant only as a space for representation, but as a platform for dialogue. Last year, right inside this space, we had an encounter that later grew into a real collaboration and an important professional commission. That shows just how much the design of a space can shape the quality of relationships and the success of a business meeting.

It’s a small detail, but it says something bigger: a lounge like this doesn’t just showcase Italian design, it puts people in the same room at the right moment, and that’s often worth more than any brochure or catalogue. As The Italian Lounge moves into its fourth edition, that’s arguably the real measure of its growth, not how many square metres it covers, but how many conversations like this one it manages to start.”

Talks, Hospitality and the New Areas of the 2026 Edition

The set-up, designed by Davide Pavanello Lab, will bring to life an immersive experience where architecture, materials, products and atmosphere all work together to tell the story of Made in Italy and bring companies, professionals and buyers together.

Alongside the exhibition area, The Italian Lounge at CIFF Shanghai will host a programme of forums and talks on architecture, design and how the Chinese market is changing, put together by Professor Francesco Scullica of Politecnico di Milano.

Among the new features for the 2026 edition, an area dedicated to Italian hospitality and table culture, dreamed up by architect Alessia Cipolla, will take on hospitality as a tool for building relationships, turning food, drink and tableware into an experience that plays up the Italian lifestyle.

In conversation with Bill Darcy, Global President & Chief Executive Officer, NKBA | KBIS

KBIS (Kitchen & Bath Industry Show) is North America’s largest trade show dedicated entirely to kitchen and bathroom design. Hosted annually by the National Kitchen & Bath Association, the event serves as the global hub for discovering the latest technological innovations, finishing materials, and industry furnishings, and takes place concurrently with Design & Construction Week in Orlando and Las Vegas, alternating between the two cities every other year.

We spoke with Bill Darcy about bathrooms and kitchens industry, technology, architecture, and the future of trade shows.

Discover more on KBIS 2026


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The 57th China International Furniture Fair (CIFF Guangzhou) has officially concluded its 2026 edition at the Canton Fair Complex in Pazhou, confirming its status as the world’s premier platform for the furniture and design industry. Held across two highly dynamic phases (March 18–21 and March 28–31, 2026), the event achieved unprecedented milestones. This proved that despite global economic and geopolitical complexities, the international market is more eager than ever to connect and collaborate.

Guided by the forward-looking theme “Connect-Create”, this year’s ciff furniture fair evolved far beyond a traditional trade show exhibition. It functioned as a fully integrated global ecosystem where cutting-edge manufacturing, commercial transactions, and visionary design seamlessly converge to drive the entire sector forward.

Discover CIFF Guangzhou 2025

china furniture design

CIFF Guangzhou 2026

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Today’s Masters Meet Tomorrow’s Talents spotlights the co-created objects designed and handcrafted over the course of six months, by the 22 duos of master artisans and emerging talents who have participated in the third edition of Homo Faber Fellowship, an annual eight-month sponsored craft training programme.

Discover the Homo Faber exhibition 2025

homo faber fellowhsip

Kathara Morgane and Maeva – Artisan Johann Sauty

Homo Faber exhibition at Casa degli Artisti, Milan Design Week 2026

This final exhibition of their original works is a celebration of the unique, cross-craft, cross-cultural, creative partnerships that were formed during the Fellowship. 

homo faber 2026

Kim Jordan Artisan and Sandra Pinto

This highly anticipated event will be staged in the beautiful Casa degli Artisti alongside three other exhibitions presented by Fondazione Cologni dei Mestieri d’Arte (together with Living, Corriere della Sera), Serapian and Creative Academy.

homo faber 2026

Kim Jordan Artisan and Sandra Pinto Fellow

Entitled Arts & Crafts & Design, this collaborative showcase invites visitors to discover some of the best contemporary craft and design collaboration projects in Europe today.

homo faber 2026

Fire Becoming Ocean, Caterina Roma Artisan and Mili Couto Fellow

Arts & Crafts & Design 
Casa degli Artisti
Corso Garibaldi 89/A

April 21-26
Opening hours: 
April 21, h. 10 AM – 8 PM
April 22, h. 10 AM – 8 PM
April 23, h. 10 – AM – 8 PM
April 24, h. 10 – AM – 8 PM
April 25, h. 10 – AM – 8 PM
April 26, h. 10 – AM – 8 PM

 

Find it on the map

Click to load the interactive map

If you are planning your Milan Design Week 2026 itinerary, the ‘Vetri’ (Glass) exhibition at MilanoNovecento Modernariato & Design is a must-see destination. Located in the vibrant heart of Milan, this showcase merges historic Italian collectible design with contemporary glass artistry.

Why Visit: the intersection of history and innovation

Led by third-generation gallerist Giacomo Beltramo, MilanoNovecento transforms into a ‘metamorphic’ space for the Milan Design Week. The exhibition isn’t just a display; it’s a curated dialogue between rare vintage finds and new experimental works.
Lorenzo Branchini curates the digital communication and the graphic design

• Collectible Design: Discover rare 1980s tables from the Metals brand (designed by Pierangelo Caramia and Rosanna Monzini)

 

italian collectible design

Design by Pierangelo Caramia for Metals

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Market analysis and insights from Heimtextil, the world’s leading trade fair for home and contract textiles, confirm a clear industry shift: fabrics are once again at the center of furniture and interior design, in both residential and contract sectors. Beyond traditional upholstery, textiles now play a strategic role in hospitality and high-traffic environments such as hotels, restaurants, lounges, offices, and public spaces.

Today, fabrics are key to the overall user experience. They help define atmosphere, comfort, and brand identity while improving environmental quality. Curtains, upholstery, wall coverings, and acoustic textiles influence visual perception, tactile comfort, and sound control. New technologies further expand their role, introducing functional finishes and fragrance solutions that enhance wellbeing and sensory impact.

Discover Heimtextil 2025

contract textiles

A growing and global textile market

The renewed importance of textiles is reflected in strong market performance. The global home furnishings and textile sector is growing at an estimated annual rate of 5% to 7%. Growth is driven by urbanization, higher disposable income, and increasing attention to living quality, comfort, and the design of shared spaces. At the same time, demand for durability, sustainability, and performance is reshaping product development and supply strategies.

The industry is also becoming increasingly international. Heimtextil 2026 (Frankfurt, January 13–16) brought together leading manufacturers and buyers from around the world. The top exhibiting countries included China, India, Pakistan, Turkey, Germany, Italy, Spain, Portugal, the United Kingdom, and the Netherlands. Visitors reached an international share of 86%, with strong growth from the United States, Switzerland, Denmark, Finland, and Peru.

Decision-making power was a key feature of the event: 78% of attendees were senior decision-makers. The presence of executives from global companies such as Harrods, IKEA, Marriott Hotels, Sainsbury’s, and XXXLutz confirms Heimtextil’s role as a strategic platform for sourcing, networking, and market insight.

textile innovation
Interior design and hospitality as key growth drivers

According to Heimtextil’s Interior.Architecture.Hospitality program, demand for technical and performance fabrics for contract applications continues to grow. Hospitality, offices, retail environments, and public spaces increasingly rely on textiles to improve comfort, acoustics, safety, and design flexibility.

This trend is opening new opportunities for architects, interior designers, developers, and procurement professionals. Textiles enable more integrated, experience-driven environments while supporting operational performance in high-use settings. Starting in 2027, Heimtextil will further strengthen this focus through a collaboration with Hospitality Interiors Europe (HINT), expanding solutions for global hospitality and interior design projects.

Design as a driver of textile innovation

Design is becoming a key competitive factor in the textile industry. Heimtextil highlights innovation across materials, processes, and creative approaches, bringing together advanced manufacturers, emerging designers, and research initiatives focused on sustainability and circular production.

Among the most notable projects at Heimtextil 2026 was “Craft is a verb”, curated by Alcova. The exhibition identified emerging trends and demonstrated how traditional craftsmanship, advanced manufacturing, and AI-supported design processes are increasingly interconnected.

Some images from “Craft is a verb” exhibition

The installation “among all,” curated by Patricia Urquiola, explored experimental applications of textile innovation. Highlights included robotufted carpets made with ECONYL regenerated yarn, surfaces created from production waste, and bio-based materials such as Ohoskin, derived from Sicilian orange by-products. The project showcased how circular thinking and cross-industry technologies are expanding the possibilities of textile design.

Some images from “among all” exhibition

Artificial Intelligence: a new business enabler

Heimtextil 2026 also emphasized the growing role of artificial intelligence under the theme “Texpertise Focus AI.” AI is becoming an operational tool across the textile value chain, supporting both creativity and efficiency.

Today, AI is used for pattern generation, color development, and realistic material visualization. At the same time, it helps companies manage data, streamline workflows, optimize supply chains, and deliver more personalized customer experiences. As market dynamics accelerate, AI is emerging as a key factor in improving responsiveness, productivity, and competitiveness.

With its international reach and strong focus on innovation, Heimtextil confirms its position as the leading global platform for understanding trends, sourcing advanced materials, and shaping the future of home and contract textiles.

See you at Heimtextil 2027, January 12-15

Discover all about Heimtextil

contract textiles

The Salone del Mobile in Milan presented the second edition of its Report on Milan Design Week. The research was carried out by the Salone in collaboration with the Politecnico di Milano. The University also deployed, among other resources, field observation, thanks to the involvement of 100 students from the Politecnico di Milano’s Schools of Design and Architecture.
A large section is of course dedicated to the Salone del Mobile.Milano, but the research also devotes considerable space to side events, which make the biggest Design Show in the world.

Read more on Milan Design Week 

milan design show

Milan design week map

The impact of Milan Design Week on the city of Milan

The Report is a very thorough piece of work, which allows for an assessment of the actual impact of Milan Design Week on the city, analyzing traffic flows, events, and cultural production. It provides interesting insights for a wide range of activities. The report provides a fairly accurate picture of how many visitors arrive in Milan, how they travel to the Fair, and how they get around the city. It also provides information on the age and interests of Milan Design Week tourists.

Milan Design Week 2025 events

The Politecnico survey provides a quantitative and qualitative overview of the distribution of events. The results offer a series of insights that can be very useful for anyone planning to organize an event at the Fuorisalone in Milan.
According to the report, in 2025, the City of Milan declared a number of 1,667 Fuorisalone events (the number varies depending on who conducted the census; this is the total number from the City of Milan’s program). The events listed on the Fuorisalone.it website, on the other hand, numbered 1,067.
Compared to 2024, this represents an increase of 25.7%; to get an idea of the increase over the years, the events declared by the Municipality of Milan in 2019 were 986, 650 in 2021, 825 in 2022, 1,200 in 2023, and 1,326 in 2024.

The areas with the highest density of events

Thanks to an analysis carried out using Fastweb-Vodafone data (mobile network operators), the Salone Report provides an overview of traffic flows to the design districts, as well as the presence of Italians and foreigners.
In 2025, the Brera Design District (257 events) recorded a 51.9% increase in foot traffic. The Porta Genova area – the gateway to the Via Tortona area – grew by 41.3%, while Parco Sempione – the Triennale area – recorded a +25.4% increase.

In the Sarpi area, home to the ADI Design Museum and Fabbrica del Vapore, foot traffic increased by 12.2%, while Corso Magenta and Via San Vittore – in the 5VIE district – saw an increase of 9.6%. (5VIE is the name of an intersection of five narrow streets between Piazza Cordusio and Corso Magenta, so part of the traffic in the Duomo area is also involved. Although not directly involved in Milan Design Week, the Duomo area recorded an increase of 19.3%.)

The areas Porta Garibaldi – Porta Nuova (+16.2%), Buenos Aires – Porta Venezia – Porta Monforte (+7.9%), and Stazione Centrale – Ponte Seveso (+7.4%) host Milan Design Week events, but they are also areas of daily commuting, so traffic here is only amplified, not overloaded.

The further out you go towards the suburbs, the less traffic increases. Villapizzone – Cagnola – Bovisasca (Certosa District) saw an increase of 2.3%; Stadera – Chiesa Rossa – Quartiere Torretta – Conca Fallata (Stadera Design District_SDD recorded an increase of 2.8%.

Read more on Milan Design Week 2026

milan design show

The detailed map

The catalyst events

There was a very significant increase in traffic flows in some areas of the Milan City Council’s events program, which considers journeys within a 500-meter radius of the event. The areas are Interni-Università degli Studi, DDDesign (Durini Design District), Mosca Partners – Design Variations (Palazzo Litta), Alcova (Varedo), as well as the areas of Tortona and 5VIE; here, 323 events in total. The average growth in traffic flows varied between +20% and +50%, with peaks of 49.2% for the Interni event and +48% for DDDesign (Durini Design District).

Analysis of foreign SIM cards shows that the foreign presence at Alcova events is overwhelmingly in the majority.
The data also allows us to establish the urban and social nature of Milan Design Week (not just the Salone del Mobile, therefore). The highest volume of users is concentrated between 10 a.m. and 8 p.m., but the 8 p.m. to midnight slot still accounts for a quarter of all journeys.

Milan Design Districts: the co-visits during Milan Design Week 

The analysis of co-visits is also interesting. The graphs represent the co-visit flows between the Design Week Districts in the city during the Salone del Mobile 2025, highlighting some relevant co-visit patterns, showing the total number of visitors and the percentage breakdown between Italian and foreign visitors. The co-visit maps offer a new insight into the audience’s behavior and mobility, highlighting the spontaneous connections between different districts and events. The values represent cross-flows resulting from successive movements within the same 48-hour period.

Discover Superstudio at Milan Design Week 2026

milan design show

Districts and events co-visits

The event content distribution

The Report also examined event content in depth, analyzing 781 events in detail. This observation allowed us to determine how many industrial product launches, small-scale productions, interior design projects, new materials, interactive installations and experiences, publishing projects, design technologies, and other kinds of projects there were. Even more interestingly, the research allowed to set the distribution of contents for each area of interest. (see image)

The research carried out by Salone del Mobile with the Milan Polytechnic therefore shows how close the relationship between the Fair, Fuorisalone, and the city of Milan is. In fact, in my book on the History of Fuorisalone, I tried to highlight how Fuorisalone changed as Milan changed. Now it would be time to take a next step, a study of the relationship between residents and the many events, to see how the city has changed with the development of Milan Design Week. All topics of great interest.

milan design show

The event content distribution

The 56th edition of the China International Furniture Fair (CIFF Shanghai) took place in September, at the National Exhibition and Convention Center, in Hongqiao. The success confirms it as one of the most dynamic platforms in Asia for design and furniture innovation.
The event recorded significant results: spanning an exhibition area of 300,000 square meters, the fair hosted over 1,500 national and international brands, showcasing their latest collections to 92,709 professional visitors – 80,836 from China and 11,873 from abroad.
The 13.23% increase in international attendees compared to the previous year confirms CIFF Shanghai’s growing appeal as a strategic reference point for global business and design excellence. This further strengthens the fair’s central role in facilitating trade exchanges, and creating meaningful connections within the global furniture industry. 

Discover CIFF Guangzhou 2025

china furniture

China Furniture Fair Shanghai 2025

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The Malaysian International Furniture Fair – MIFF 2025 ended successfully, strengthening its reputation as a vital international sourcing platform. From 1 – 4 March 2025 at the Malaysia International Trade & Exhibition Centre (MITEC) and World Trade Centre Kuala Lumpur (WTCKL), MIFF 2025 generated estimated on-site sales of USD 1.31 billion – 3% higher than 2024 – demonstrating strong commercial momentum and buyer confidence.

Discover MIFF 2024

miff malaysia 2025

MIFF 2025 at MITEC

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Design Miami dates in 2025

This year, Design Miami marks its 20th anniversary as the global forum for collectible design. To commemorate this milestone, the brand unveils its 2025 events program and announces the expansion of its international platform with a new initiative: Design Miami.In Situ. Staying true to its mission of championing the most influential voices in design – both historic and contemporary – this year’s programming honors the pioneering galleries and visionary designers who have shaped Design Miami’s legacy, while also casting a bold look toward the future and the expansive influence of design.

Discover more on Design Miami 

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From June 9 to 11, 2025, the 56th edition of NeoCon, North America’s leading trade fair for the office and contract sectors, returns to Chicago.

As the countdown to NeoCon 2025 begins, THE MART reveals a powerful lineup of showroom expansions and newcomers, making this year’s event a must-see. From rising stars to global leaders, brands are setting the stage for a high-energy showcase.

NeoCon 2025 offers a unique opportunity to discover groundbreaking design solutions, to connect with the industry’s movers and shakers, and to experience immersive activations and next-level conferences. 

Discover more on NeoCon 

neocon 2025

Installation on MART facade

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Covering an expansive 850,000 square meters, CIFF Guangzhou 2025 welcomed a record-breaking 4,900+ domestic and international exhibitors. The exhibitors welcomed 363,825 professional attendees hailing from 187 countries and regions. Among them, the number of overseas participants reached 56,794. This is an impressive 10.91% increase compared to the previous year, setting a new milestone for CIFF’s growing international influence. This remarkable achievement underscores CIFF Guangzhou 2025 critical role in reinforcing foreign trade and stimulating market vitality.

Discover CIFF Guanzghou 2024

ciff guanzghou 2025

CIFF Guangzhou 2025

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The countdown has begun for the Milan Salone del Mobile 2025, 63d edition (8th-13th April, Fiera Milano, Rho). Once again, it promises to be the industry’s top international event. More than 2,000 exhibitors (38% from abroad) will showcase their work. The event will feature 148 brands, including both first-timers and returning names. The exhibition space spreads over 169,000 square meters.

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milan salone del mobile 2025

A major highlight is the much-anticipated return of the Euroluce Biennial after the success of The City of Lights in 2023. This edition will span over 32,000 square meters and host more than 300 brands from 25 countries. SaloneSatellite will also shine, presenting 700 designers under 35 and 20 international schools and universities.
These figures reflect the result of intense scouting and promotional efforts. Every year, the event gains the trust of a national and international supply chain. The suppliers see Salone as a strategic hub for business, sustainable innovation, and global expansion. The 2024 edition attracted over 370,000 professionals from 146 countries.

The scale of the exhibition speaks for itself. The Italian brands exhibiting in April generate a total turnover of Eur 9,238,429,199. It represents 34% of the national Furnishing Macro System (Eur 21 billion from 21,000 companies). Adding to this, foreign brands contribute Eur 6,989,984,073 in total turnover. These numbers confirm the upward trajectory of Salone, an ecosystem that fuels growth and promotes an innovative, sustainable, and future-oriented business model.

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milan salone mobile 2025

Entrance at Salone del Mobile.Milano 2024

Milan Salone del Mobile 2025: a visionary cultural programme

New ideas will drive a high-level Cultural Programme featuring three site-specific installations. At the Salone and in the city, visitors will experience:

  • Pierre-Yves Rochon – Villa Héritage (Pavilions 13-15)
  • Paolo Sorrentino – La dolce attesa (Pavilions 22)
  • Robert Wilson – Mother (Museo Pietà Rondanini, Castello Sforzesco)

A multidisciplinary spotlight will focus on lighting design, the star of the first edition of The Euroluce International Lighting Forum (10th-11th April, The Forest of Space Arena by Sou Fujimoto, Hall 2). The Drafting Futures Talks and Round Tables will bring together leading minds from various fields.

Finally, a bold communication campaign, Thought for Humans., will emphasize how every project must cater to human needs with emotional intelligence.

The Euroluce Biennial

Following the success of The City of Light in 2023, excitement is high for Euroluce’s return. More than 300 exhibitors, 46.5% from abroad, will showcase their work. The event will reaffirm itself as the global reference point for lighting design.
Technology, sustainability, AI integration, and biophilic design will shape the sector’s evolution. Users will gain greater control over lighting systems, creating tailored atmospheres and immersive environments.
A major new feature in 2025 is the first edition of The Euroluce International Lighting Forum (10th-11th April, Hall 2). Over two days, more than 20 international speakers -including lighting designers, architects, artists, set designers, scientists, biologists, anthropologists, astronomers, and psychologists – will explore the future of lighting through a multidisciplinary lens.

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Under the surface installation, 2024

The venue, The Forest of Space Arena, will be a striking setting designed by acclaimed Japanese architect Sou Fujimoto. He is known for his metallic cloud at the Serpentine Gallery Pavilion (London, 2013) and the Arbre Blanc residential tower, a purist masterpiece.
Euroluce 2025 hosts also the first edition of The Euroluce International Lighting Forum. The Forum will take place on April 10-11 in Pavilion 2, with the theme “Light for Life, Light for Spaces.” Organized by Annalisa Rosso, Salone’s Editorial Director and Cultural Events Advisor, the forum will bring together lighting designers, architects, artists, set designers, scientists, biologists, anthropologists, astronomers, and psychologists.

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The Cultural Programme

In 2025, the Salone del Mobile.Milano will open with Mother, a site-specific installation by Robert Wilson. On 6th April, at Museo Pietà Rondanini – Castello Sforzesco, the renowned American artist will engage in a dialogue with Michelangelo’s final, unfinished masterpiece, set to music by Arvo Pärt. This event, in collaboration with Milano Art Week and the Municipality of Milan | Culture, will run until 18th May.

Inside the Salone, visitors will encounter two striking projects

  • Paolo Sorrentino’s La dolce attesa (Pavilions 22-24), a deeply emotional installation by the Oscar-winning filmmaker.
  • Pierre-Yves Rochon’s Villa Héritage (Pavilions 13-15), a visionary interior design concept by the French architect behind some of the world’s most luxurious hotels, including the Waldorf Astoria New York.
  • For the third consecutive year, the Formafantasma Arena (Pavilion 14) will host Drafting Futures. Conversations about Next Perspectives. Over five days, renowned thinkers and architects will discuss global challenges. The program, curated by Annalisa Rosso, will feature figures such as:
  • Lesley Lokko, founder of the Africa Futures Institute and curator of the 18th International Architecture Exhibition at the Venice Biennale
  • Valeria Segovia, Director and Design Director at Gensler London, the world’s largest architecture firm.
  • Paolo Sorrentino, who will close the lecture series.

Meanwhile, the Corraini Mobile Bookshop, curated by Corraini Edizioni, will showcase an international selection of over 110 publishers, including independent presses from around the world.

milan salone del mobile 2025

Talk at Milan Salone del Mobile 2024

The first Euroluce International Lighting Forum

The Euroluce International Lighting Forum will also feature a two-day event, Light for Life and Light for Spaces, inside the Forest of Space Arena. It will include:

  • 6 masterclasses
  • 2 round tables
  • 2 workshops
  • 20 international speakers

Among the guests will be:

  • Stefano Mancuso, pioneer of plant neurobiology
  • Marjan van Aubel, solar designer
  • Kaoru Mende, renowned Japanese lighting designer

Together, they will explore lighting design’s evolution through three perspectives: innovation, sustainability, and well-being.

Mother – A Unique Artistic Project
Robert Wilson’s installation Mother will be presented at Museo Pietà Rondanini – Castello Sforzesco, opening on April 6 in collaboration with Comune di Milano | Cultura. Featuring music by Arvo Pärt, the installation engages in a dramaturgical dialogue with Michelangelo’s unfinished Pietà Rondanini. The performance of Stabat Mater, scheduled from April 6-13, will be presented by the ensemble Vox Clamantis, conducted by Jaan-Eick Tulve, and La Risonanza, conducted by Fabio Bonizzoni. Attendance is by reservation, with tickets available at the Castello Sforzesco ticket office.

Mobility and Hospitality at Milan Salone del Mobile 2025

To support sustainable mobility, Salone has partnered with BusForFun to offer free shuttle services between Milan Malpensa and the exhibition venue.
On the hospitality front, Salone del Mobile.Milano has renewed its partnership with MiCodmc, offering an exclusive hotel booking service for attendees (reservations available via the Salone website).
For the first time, in collaboration with fuorisalone.it, Salone will support the Mito Design Connection platform (mitodesignconnections.it). This initiative, promoted by Unione Industriali Torino and the Turin Chamber of Commerce, fosters business relationships between companies in Turin and Milan. It also provides logistical and hospitality support for exhibitors and visitors.
Through the platform, attendees can book hotels and arrange travel between Turin Porta Susa and Rho Fiera.
With its cutting-edge exhibitions, bold cultural programming, and seamless event experience, Salone del Mobile.Milano 2025 is set to be an unmissable event for the design world.

All images are courtesy of Salone del Mobile.Milano

Milan Salone del Mobile 2025
April 8-13
Rho-Fieramilano

The countdown to Asia’s 2025 furniture season is on! The Malaysian International Furniture Fair (MIFF) is back, March 1-4, 2025. Exhibitors are busy finalizing their latest collections for global buyers.
Momentum is strong. With a surge in exhibitors and visitor interest, floor space at Malaysia International Trade & Exhibition Centre (MITEC) and World Trade Centre Kuala Lumpur (WTCKL) is nearly sold out.
From March 1 to 4, MIFF 2025 will span 100,000 square meters across 17 exhibition halls in two venues. As Southeast Asia’s largest and most global furniture event, MIFF 2025 has already confirmed nearly 700 exhibitors from 12 countries and regions.

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miff 2025

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CIFF Guangzhou 2025: a bigger and more exciting edition 

Following the record-breaking success of CIFF Guangzhou 2024, anticipation is high for the 2025 edition, set to take place in March at the Canton Fair Complex. As a premier platform for the global furniture industry, CIFF Guangzhou 2025 fosters innovation, trade, and growth across the entire supply chain, showcasing the best in furniture, home décor, home textile, office and commercial furniture.

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home textile

CIFF Guangzhou 2024

Two phases, endless opportunities

Phase 1 (March 18-21, 2025) – Home Furniture
The first phase focuses on home furnishings, showcasing contemporary and international designs across multiple categories, including:

  • Contemporary Design Fair – A hub for top brands and designers.
  • International Pavilion – A global marketplace for major furniture companies.
  • Dining & Living & Upholstered Furniture – Featuring multifunctional solutions for trade, retail, and e-commerce.
  • Homedecor & Hometextile – Asia’s largest interior décor and home textile showcase.
  • Outdoor Furniture & Leisure – The leading Asian event for outdoor living solutions.

Phase 2 (March 28-31, 2025) – Office & Commercial Space
This phase presents the world’s largest exhibition dedicated to office and commercial furniture, covering:

  • Office Environment & Seating – Cutting-edge workspace and professional seating solutions.
  • Public & Commercial Spaces – Furniture for public venues like airports, hotels, and healthcare facilities.

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home textile

CIFF Guangzhou 2024, 1st phase

CIFM/interzum Guangzhou 2025 will run concurrently, showing furniture materials, hardware, and smart manufacturing technologies, alongside machinery manufacturers.

Some images from CIFM/Interzum Guangzhou 2025

CIFF Guangzhou 2025 features 4,700+ exhibitors on 850,000 sqm of exhibition space. The visitors expected are 380,000, from over 200 regions.

CIFF Home decor & Home textile: Asia’s leading interior design platform

From March 18-21, 2025, the Homedecor & Hometextile sector at CIFF Guangzhou 2025 will take center stage in Area D of the Canton Fair Complex.

Under the theme “Renewal”, around 700 exhibitors will present the latest innovations. Products include home accessories, lighting, paintings, ceramics, artistic installations, home textiles, rugs, cushions, and leather goods.

Key highlights at Homedecor & Hometextile:

  • Home Decoration Brand Hall (Hall 19.1): A focal point featuring cutting-edge designs and trends in home textile.
  • Five specialized halls (Areas 19.1, 20.1, 19.2-20.2): A balance of commercial functionality and innovation.
  • “Art Concentrated” Special Exhibition: A creative showcase merging designer visions with brand products for an immersive experience.
  • Industry Forums: Expert discussions on emerging trends in interior design.

Attracting design studios, retailers, international buyers, e-commerce platforms, furniture manufacturers, real estate developers, and hospitality groups, the event fosters business networking and market innovation.

Some images from CIFF Guangzhou 1st phase 2024

CIFF Guangzhou 2025: a new sustainable ecosystem for office and commercial spaces

The Office and Commercial Space sector aims to redefine the future of workspaces.

The 55th CIFF Guangzhou 2025 arrives at a key moment. In fact, the global office and commercial furniture market is projected to reach $66.1 billion in 2024, with forecasts suggesting $99.3 billion by 2029.

Taking place during Phase 2 (March 28-31, 2025), Office and Commercial Space transforms 24 exhibition halls across Areas A, B, and D into a hub of innovation. With over 240,000 sqm of exhibition space and 1,000+ leading companies, the event will feature three specialized sectors. 

  • Office Environment
  • Office Seating
  • Public Commercial Spaces

Discover CIFF Guangzhou 2nd phase 2024

Sustainability at the Core

Sustainability is a key theme for CIFF Guangzhou 2025, with exhibits featuring smart office systems, healthcare furniture, senior care solutions, and intelligent metal furniture. Special themed areas include Linking Design Star, the D&A Culture Centre, and the Guangzhou Office Environment Pavilion.

CIFF Guangzhou’s global influence extends through 1,100+ media partnerships, engaging professionals in nearly 200 countries. The event will take place in two phases: March 18-21 for Home Furniture, and March 28-31 for Office and Commercial Space, expecting over 380,000 professional visitors at the Canton Fair Complex and PWTC Expo.

CIFF  2025 First phase: March 18-21, 2025                     
                  Second phase: March 28-31, 2025

It’s always been said that design is a process rather than a product. Heimtextil 2025 embraced this idea by enlisting Patricia Urquiola and Alcova to explore the connection between design and textiles. Patricia Urquiola named her project for Heimtextil 2025 “Among Us.” She created an enchanted living room that served as more than just an installation—it became a convivial space where people could experience technology and craftsmanship embodied in fabric up close. Aquafils, CC Tapis, Cimento, Kettal, Kvadrat, and Moroso collaborated on the area, showcasing the full potential of contemporary textiles as hybrid surfaces combining digital technology with exceptional craftsmanship.

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From Surrealism to Sur/reality

The central theme of Maison&Objet 2025, taking place January 16-20, is Sur/reality, where Maison&Objet collaborates with Peclers Paris to delve into the resurgence of Surrealism. In its 100th anniversary, Surrealism continues to inspire and fuel creative expression. This theme celebrates the legacy of iconic figures like Magritte and Dalí, whose unique aesthetics have become universal symbols, while firmly grounding the exploration in today’s contemporary context.

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maison&objet 2025

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From 11 to 14 September 2024, CIFF Shanghai, one of the world’s leading furniture fairs, is back. CIFF Shanghai is the fall edition of CIFF, China International Furniture Fair, which takes place annually in March in Guangzhou, and September in Shanghai. The September 2024 edition of CIFF is the 54th, while CIFF Shanghai is in its tenth year (in fact, it took place for the first time in 2015 and also ran in 2020, despite the pandemic). In ten years, CIFF Shanghai has established itself as a premier global design event, seamlessly integrating exhibition and retail, and showcasing high-quality designs and industry-leading brands.

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ciff shanghai furniture

Camerich Pavilion 2023

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Inspirational Impulses: Light + Building Trends 2024/25

Light is an essential component in architecture. Innovative technology and design create visual effects in space and influence function in architecture. At Light + Building, in Frankfurt, March 3-8, 2024, trend bureau bora.herke.palmisano offers a perspective on trends for 2024/25.

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light + building frankfurt

Light + Building Frankfurt 2024, photo courtesy Light + Building

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